Noted New York City-based landscape architect Nicholas Quennell shares his life, career, and design philosophy in the twelfth installment of the award-winning Pioneers of American Landscape Design oral history series.
Quennell is acclaimed for his work on many important historic parks, his civic leadership (he was president of the New York City Art Commission), and his innovative collaborations with noted artists such as Maya Lin and Barbara Kruger.
Oral History Framework
Video Clips are divided into three categories: BIOGRAPHY, DESIGN, and PROJECTS
Each clip is between 1 and 4 minutes long.
Interview: Nicholas Quennell was interviewed in his Manhattan office in October 2013.
Reflections: Nicholas Quennell has been a practitioner and educator in the United States for more than fifty years. 独家爆料 contacted his colleagues and professional associates to share their stories and memories.
At the outbreak of World War II, Quennell and his family fled London for Cheltenham.
2.
An early interest in comic books inspired Quennell to create his own.
3.
Quennell debated whether to pursue art or architecture his last year of high school.
4.
A scandal broke after Quennell set up a betting pool at school 鈥 and the historic event that saved him.
5.
At the school Quennell learns about Modernism from Leonard Manasseh, for whom he subsequently works.
6.
Quennell鈥檚 early career 鈥 working for iconic Modernist landscape architect Lawrence Halprin.
7.
Amid the frenzy of the contemporary art world, Quennell has work in a major exhibition at the influential Dwan Gallery.
8.
Breaking into the New York art scene proved harder than Quennell originally thought.
9.
Quennell鈥檚 first home in New York City is a famous center of creativity and artistic expression.
10.
Influential landscape architect Hideo Sasaki convinced Quennell that Harvard was the place to study.
11.
Appointed by the mayor, Quennell had an impact on the design of city property in New York鈥檚 five boroughs.
12.
Peter Rothschild shares how New York City parks changed from the 1970s through the Bloomberg Administration 40 years later.
13.
Andy Moore, Alison Shipley, and Mark Bunnell share their experiences working in New York City.
DESIGN
1.
Quennell explains how Central Park鈥檚 designers understood the complexities of park design and the public鈥檚 needs.
2.
Looking back provides powerful inspiration for Quennell and his design work.
3.
Creating places where people can gather to celebrate both community and communally.
4.
Quennell shares how everyone has something to teach him.
5.
Working with others, like Maya Lin and Barbara Kruger, is an opportunity to enrich the design.
6.
Listening is an essential part of giving constructive feedback.
7.
Quennell expresses his feelings about the controversial New York City parks commissioner and his legacy.
8.
Building is easy 鈥 funding maintenance is the real challenge that parks face going forward.
9.
Open space and parks are a vital part of cities鈥攁nd users should appropriate them.
10.
Looking ahead, Quennell warns that we must vigilantly guard the open space we have.
PROJECTS
1.
Quennell describes his role in helping design the San Francisco landmark during his time with Lawrence Halprin.
2.
Quennell rehabilitated one of the crown jewels of the NYC park system aided by Olmsted drawings.
3.
An under-utilized park on the Upper East Side was re-connected to the surrounding community.
4.
After thwarting private development, Quennell enlisted artist Alice Aycock in his design for the site.
5.
Quennell鈥檚 first big project on Roosevelt Island, which was undergoing significant redevelopment.
6.
A non-functioning lighthouse became the centerpiece of a project on Roosevelt Island鈥檚 northern tip.
7.
Quennell created an inviting and enriching environment in one of New York鈥檚 most beloved spaces.
8.
The historic Brooklyn burial ground required a design approach that respected the past and allowed for future growth.
9.
Finding the right balance between open space and buildings on the campus of Connecticut鈥檚 second oldest university.
10.
A Long Island, N.Y. town鈥檚 neglected waterfront is transformed into its central park.
11.
One of Quennell鈥檚 favorite projects, the museum expansion allowed for an inspiring collaboration with Barbara Kruger, Laurie Hawkinson, and Henry Smith-Miller.
Production Credits and Acknowledgments
EXECUTIVE PRODUCER
Charles A. Birnbaum, FASLA, FAAR
DIRECTOR/EDITOR
Gina M. Angelone
SA KWA Pictures
INTERVIEWER
Charles A. Birnbaum, FASLA, FAAR
PROJECT MANAGERS
Nancy Slade, ASLA
Barrett Doherty, ASLA
CINEMATOGRAPHERS
James Callanan
Filipe Bessa
ADDITIONAL CINEMATOGRAPHY & EDITING
Barrett Doherty, ASLA
COMPOSER
Brian Cho
独家爆料 would like to thank the many people who contributed to making the Nicholas Quennell Oral History a reality.
A project such as this comes to life through the efforts of many individuals and organizations. Thank you to Nicholas Quennell and Grace Tankersley for their friendship, good humor and for making time in their busy schedules. They and the staff at Quennell Rothschild & Partners were extremely helpful in providing exceptional access to the firm鈥檚 records including hundreds of photographs; special thanks goes to Andy Moore for helping with the logistics of the location videography and providing insights and guidance about the firm鈥檚 photographs. Additional thanks goes to: The Wildlife Conservation Society for providing access to the Central Park Children鈥檚 Zoo; Richard Moylan, Jeffrey Richman and the staff at Green-Wood Cemetery for providing all of the historic James Smillie prints and the matched historic and contemporary photography; Milestone Films and Video for graciously allowing us to use footage from Shirley Clarke鈥檚 short film Bridges-Go-Round; Trinity College for images of their historic campus; and Elizabeth Christopher at the American Archives of Art for giving priority to our requests. We are especially grateful to the American Society of Landscape Architects (ASLA), our Annual Sponsor for their continued support.
There were many generous Sponsors: Eleanor and Charlton Ames; Suzanne and Rich Clary; Leslie Rose Close; Steven Kossak; Quennell Rothschild & Partners, LLP; The Rifkind Family Foundation; and Tillett Lighting Design, Inc. Supporting Sponsors include: American Society of Landscape Architects - New York Chapter; Balmori Associates; Mac K. Griswold; The J.M. Kaplan Fund; Barbara Kruger; Arleyn and Newt Levee; The Robert and Joyce Menschel Family Foundation; and Grace Tankersley and Nicholas Quennell.
Photographs, prints, and drawings reproduced courtesy of the following individuals and institutions:
Alice Aycock; Charles A. Birnbaum; Eddie Crimmons; Barrett Doherty; Tom Fox; Carl Glassman / Tribeca Trib.; Green-Wood Cemetery; Russell Hart; Tony Kirman; Kristine Larsen; W.F. Mainland; Herbert Maruska; Peter Mauss courtesy Etto; Bette Midler; Milestone Films and Video; Sara Cedar Miller; Andrew Moore; Nicholas Quennell; Quennell Rothschild & Partners; Jeffrey Richman; Elizabeth Barlow Rogers; Alison Shipley; Christopher Skory; Henry Smith-Miller; Sarah Stierch; Grace Tankersley; Tupper Thomas; Trinity College; and Robert Wash.
University Archives:
Archives of American Art, Smithsonian Institute
Dwan Gallery. Los Angeles Exhibition Files: Arena of Love 1965 January 1
Dwan Gallery. Los Angeles Exhibition Files: Dakota Daley and Nicholas Quennell 1965 March 16
Northeastern University Archives and Special Collections Department
Freedom House Collection. Ed Logue of the Boston Redevelopment Authority speaks from a podium at an event for Charlame II. Photo by James F. McDevitt.
Royal Institute of British Architects Collections
Jane Drew sketching Maxwell Fry. Photographer unknown.
Government College for Women, sector 11, Chandigarh. Photographer unknown
'51 Bar by night, Festival of Britain, South Bank, London, with statue of 'Youth' by Daphne Hardy Henrion. Photo by Millar & Harris.
Rutherford Comprehensive School for Boys, Penfold Street (and Bell Street), Marylebone, London. Photo by Bill Toomey.
Leonard Manasseh at his '51 Bar, Festival of Britain, South Bank, London. Photo by Reginald Hugo de Burgh Galwey.
