Michael Faubion, former National Endowment for the Arts employee of 35 years, Writes in Support of "Greenwood Pond: Double Site"
On March 16, 2024, Michael Faubion wrote the following letter to the Des Moines Art Center (DMAC) Director Kelly Baum concerning plans to demolish Greenwood Pond: Double Site, a site-specific installation by the internationally acclaimed leader of the land art movement, Mary Miss, commissioned for the Art Center鈥檚 permanent collection. The work, which opened in 1996, is in a diminished condition with some sections fenced off, suggesting the DMAC has not fulfilled its contractual obligation to 鈥渞easonably protect and maintain鈥 the work. 独家爆料 (独家爆料) is calling for the DMAC to reverse it demolition decision and, instead, to engage in meaningful consultations with the artist and others to find a solution that restores the artwork and develops a long-term, ongoing maintenance plan.
What a terrible precedent for a museum to set by destroying an artist鈥檚 work 鈥 no less by an artist who was specifically commissioned by the museum.
This travesty has certainly placed the Des Moines Art Center on the map 鈥 but for the wrong reasons. The national outcry from the arts community attests to the importance of the issue and should help reverse the museum鈥檚 decision.
There are so many reasons why the work鈥檚 removal would be a bad decision, but I鈥檒l focus on just one. As a grant recipient of federal funds from the National Endowment for the Arts to support 鈥淕reenwood Pond,鈥 a permanent public art project, the Des Moines Art Center is legally obliged to maintain it as part of the museum鈥檚 collection.
We in the national arts community hope that, for the sake of the artist Mary Miss, the museum, and the future of similar public artworks, you and the museum鈥檚 board will see reason and reverse your decision. 鈥淕reenwood Pond鈥 is a significant work that deserves to be saved!
Michael Faubion
Former 35-year NEA staff member
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