Landscape Architect Carol R. Johnson, FASLA, spent four decades transforming urban spaces, campuses, industrial sites, and waterfronts into celebrated parks and public spaces.
In her oral history interview, she talks about her life, career, design philosophy, and what it meant to be an early and influential female practitioner, working in urban places in the greater Boston area.
Oral History Framework
Video Clips are divided into three categories: BIOGRAPHY, DESIGN, and PROJECTS.
Each clip is between 30 seconds and 5 minutes long.
Interview: Carol Johnson, FASLA, was interviewed in July, 2006 by Charles A. Birnbaum, FASLA, FAAR, at her office and on site at projects in Boston and Cambridge, Massachusetts.
Anecdotes and images from Johnson鈥檚 childhood give insight into her later career as a landscape architect.
2.
Johnson credits her Wellesley experience and the 鈥渨onderful things鈥 she saw on her bicycle trip in Europe with instilling an appreciation of landscape.
3.
While working at a nursery, Johnson鈥檚 chance meeting with students from Harvard鈥檚 Graduate School of Design led to her enrolling in the program.
4.
After a year of being the only woman student in the Graduate School of Design鈥檚 landscape program, several others joined Johnson in the program.
5.
After graduation, Johnson went to work at The Architects Collaborative (TAC), a firm she describes as 鈥減retty nifty for women.鈥
6.
Several early projects lead to Johnson working on the American Exposition of 1967, an assignment she describes in detail.
7.
Johnson鈥檚 description of two of her projects highlights challenges she found in designing landscapes for energy projects.
8.
Johnson shares recollections of hiring an interesting group of 鈥渓ess than perfectly trained architects鈥 during the early years of her firm.
9.
Like her other trips, Johnson鈥檚 trip to Kenya helped her appreciate the physical landscape and ways people adapt and fit into it.
10.
Johnson鈥檚 recollection of taking the exam for landscape architects in New York includes an amusing anecdote about a fellow participant.
11.
Initially one of only a few women in the profession, Johnson recounts experiences with the American Society of Landscape Architects.
DESIGN
1.
Learn what Johnson loves about the profession and her 鈥渙pportunities for expression in three-dimensions.鈥
2.
Since her childhood, Johnson has been fascinated with the connection between environment and culture.
3.
Johnson is particularly fond of projects in which 鈥淚 dream, I think, it happens.鈥 These projects realize a connection with community that is central to her work.
4.
Project examples illustrate Johnson鈥檚 description of what she considers in making decisions.
5.
Johnson鈥檚 upbringing, work experience, studies, and love of her own garden contribute to her hands-on use of plant material in her designs.
6.
Learn why Johnson thinks there will be 鈥渢remendous opportunity鈥 for landscape architects, both men and women.
7.
After citing some influential individuals, Johnson concludes that she soaked up things wherever she could find them.
PROJECTS
1.
Connections to her personal life make Kennedy Park, Cambridge, Massachusetts, one of Johnson鈥檚 favorite landscapes.
2.
Walking through Kennedy Park, Johnson stops to celebrate a 鈥渨onderful tree鈥 and relates the reasons she wanted to plant beech trees.
3.
Johnson explains how she intended Kennedy Park to function in relation to its surrounds.
4.
As she walks around Lechmere Canal Park, East Cambridge, Massachusetts, Johnson explains what her design added to the canal and basin.
5.
Johnson鈥檚 design has transformed the formerly polluted sites along the Mystic River from Medford to Everett, Massachusetts, into places of recreation.
6.
Johnson credits the Mystic Reservation with being 鈥渘ot only a horticultural success, but also a social and public use success.鈥
7.
Johnson鈥檚 Boston design created a linear park between the water and a housing development built on what had been a drug dealer鈥檚 heaven.
8.
Against views of Harbor Point, South Boston, Massachusetts, Johnson describes how 鈥渨e鈥檙e all together on this.鈥
9.
Johnson explains how the community and paintings of Fitz Hugh Lane helped her come up with her design for Harbor Point.
10.
As she walks along the water鈥檚 edge of Boston Harbor, Johnson points out references to fishing in her design.
Production Credits and Acknowledgments
EXECUTIVE PRODUCER
Charles A. Birnbaum, FASLA, FAAR
DIRECTOR/EDITOR
James Sheldon
INTERVIEWER
Charles A. Birnbaum, FASLA, FAAR
CAMERAMAN/PHOTOGRAPHY
James Sheldon
独家爆料 would like to thank the many people who contributed to making the Carol R. Johnson Oral History a reality.
This first module in the Pioneers Oral History Series was produced in concert with 独家爆料鈥檚 education partner, the American Society of Landscape Architects, and received generous support from the Beverly Willis Architecture Foundation, and the Hubbard Educational Trust (now the Hubbard Educational Foundation). Production of this module would not have been possible without the support, and dedication of Carol Johnson to the project.
Photographs, prints, and drawings reproduced courtesy of the following individuals and institutions:
Thank you to: The American Memory Project at the Library of Congress, Charles A. Birnbaum, Carol Johnson, Carol R. Johnson Associates Landscape Architects, Sasaki Associates, Inc., and to Mary Alice van Sickle at CRJA for help to secure the critical archival and contemporary images for this project.
University and Museum Archives:
Frances Loeb Library, Graduate School of Design, Harvard University
Library and Archives Canada (Negative reproduction number: e001096692)
Stanford University Libraries and Academic Information Resources
State University of New York College of Environmental Science and Forestry